"书画同源"是中国传统文化中一个重要的理念，它强调笔墨艺术中书法和绘画的共同来源和相辅相成的关系。本书籍中收录了关于书画同源理念的英语短句和例句，帮助读者更深入地了解这一文化概念。这些短句和例句涵盖了书法和绘画的相互影响、共同表现形式和文化内涵，展现了中华传统艺术的独特魅力和深厚底蕴。通过阅读本书，读者可以感受到书画同源在中国传统文化中的重要地位和对艺术创作的深远影响。无论是对中国文化感兴趣的人士，还是对跨文化交流有兴趣的读者，都可以从中受益，了解书画同源在中国艺术史和文化传承中的重要意义。
书画同源,common origin of calligraphy and painting
1)common origin of calligraphy and painting书画同源
英文短句/例句
1.Exploring on "Source" and "It s Expressing Forms" of "The Same Source in Art of Handwriting and Picture of China";论“书画同源”之“源”及其表现形态
2.Release to Read "the Calligraphy and Painting is a Source Together";释读“书画同源”——对汉字与绘画在起源上的关系的一点看法
3.The calligraphy art and painting art of literatus derived from the same origin, but calligraphy of literatus and the painting of literatus did not develop at the same time.书画艺术同源发展,但文人之书与文人之画的发展却有先后之别。
4.These stroke patterns are reduced to eight different strokes in calligraphy.书法的笔画简化到八种不同的笔画模式。
5.My classmates say I draw well, and my handwriting is good.我的同学说我画画很好，而且我书法也很好。
6.Analysis on Thought Origins of the Difference between Chinese and Western Painting Forms试析中西方绘画形式异同之思想根源
7.Origin and Formation of the Scroll Painting as Seen in Dunhuang Documents and Murals从敦煌写经和壁画看中国卷轴书画格式的起源和形式
8.From cursive calligraphy rules to phrasal contouremes in Standard Chinese - A tentative study;“书话同源”——试论草书书法与语调规则的关系
9.She pored over the picture book in silence enjoying the various colors.她默默地读那些图画书，欣赏着各种不同的着色。
10.A Study of the Recently Disclosed Paintings and Letters by Li Shutong;对新近披露的有关李叔同画作、书信的解读
11.Discussing the Resemblances between Chinese Calligraphy and Western Modern Abstract Paintings;试论中国书法与西方现代抽象绘画中的相同性
12.Painting in the traditional style involves essentially the same techniques as calligraphy. It is done with a brush dipped in black or colored ink. Oils are not used.传统绘画与书法的基本技法相同，即用毛笔蘸黑墨或彩墨作画，不用油画颜料。
13.Chinese is written by Chinese characters, and every character is made up of combining various kinds of "strokes" which has a certain writing order.汉语用汉字进行书写，每个汉字由不同的笔画构成，每个笔画有一定的书写顺序。
14.Exploring the Similarities and Dissimilarities in the Stylistic Beauty of Chinese and Western Painting中西绘画形式美的异同及其思维根源初探
15.I like drawing, reading and riding a horse.我喜欢画画、读书、骑马。
16.I like drawing and reading.我喜欢画画和读书。
17.children"s picture, drawing or coloring books儿童图画书、绘画书或涂色书
18.Painting in Me and Drama in Painting--Aesthetic Comparison Between Chinese Opera and Chinese Painting;戏中有画 画中有戏——同源异派的中国戏曲与中国绘画美学思想比较再论
相关短句/例句
On the origin of painting and calligraphy浅析"书画同源"
3)Discussing "the Same Source of Painting and Calligraphy"也谈"书画同源"
4)New Horizon on the Theory "Calligraphy and Drawing Having the Same Roots新论"书画同源"
5)Another Explaining on Painting and Calligraphy Being from Fountain"书画同源"别解
6)consubstantiality[,k?ns?b,st?n?i"?liti]书画同体
1.Theconsubstantiality of Chinese painting and calligraphy consists in the use of same tools and materials on low level,in the skills of brush and ink on high level,and in the end they are unified with basic spirit of Chinese culture: Doctrine follows the example of n.中国书画素有"书画同源"之说,但历代的解说都停留在较低的层面上,其实在书主要用来指称书法之后,中国书画的真实面貌一直都是书画同体。
延伸阅读
书画同源书画同源中国传统书画理论中一个命题。有两重涵义：一是文字与绘画在起源上有相通之处二是指书法与绘画在表现形式方面，尤其是笔墨运用上有共通的规律。文人画的兴起是以后者为重要理论基础的。唐张彦远在《历代名画记》“叙画之源流”中第一次从理论上阐述了书画同源的观点。他认为造字之时书画同体而未分。后区分则因其目的不同，如文字在于传意，绘画在于见形。六书中象形即为画的意思，由此知书画异名而同体。后世绘画脱离文字，因此才得以发挥充分的作用。这反映了早期对书画同源的认识。宋元以后由于文人画对笔墨的追求，从新的视点阐述了书画同源的意义，其宗旨在于突出绘画中用笔本身的独立审美价值。明代王世贞在其著述中以实例分析了书画同源之说：从用笔技法看以画竹为例，干如篆，枝如草，叶如真，节如隶；另外，从书体体现出的审美理想和境界来看，与绘画更是情趣相投、相融相契的。从理论上看，文字起源之初的甲骨文和金文中大量存在图画象形的部分。文字的形成标志着人的观察、思维、表现能力的提高，亦发展了绘画意识。文字随着由图案化形象符号向线条构成演变，毛笔的技巧亦逐渐发展，成为独立的书法艺术，而中国传统绘画的以毛笔、线条为主的形式技巧，说明一定意义上书法与绘画是同一起点发展起来的。
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